在贝(bèi )鲁(☔)特
在贝(bèi )鲁(☔)特(tè(🐔) )一个(gè(🥔) )街角(jiǎo )的咖(kā )啡店(😐)(diàn )二楼(lóu )，有(🛵)(yǒu )一面(miàn )大大的转(☔)角窗和一台(🤵)电视机，一位78岁的(de )退(👔)伍(wǔ )将(📯)军(jun1 )和(🤷)一(yī )位81岁(suì )的退(tuì )伍军(jun1 )医(🎮)每(mě(🐋)i )天早(zǎ(📴)o )上都(dōu )会在(zài )这里(🦌)(lǐ )碰(🍄)面(miàn )，看(🥑)着街角车来人往，做(🍡)着填字游戏(🥈)，以此对抗阿茨海默(🈵)综合症(🕔)。伴随(👣)两位老人的玩笑和(🚐)字谜，咖(💆)啡馆(🔼)的顾客(💅)纷纷登场。本片用发(📡)生在(🍽)一(yī )个(🥚)社(shè )会小(xiǎo )角落(luò(🐩) )16天之(zhī )内的(🐯)(de )一系(xì )列事(shì )件，四(🥧)两(liǎng )拨千(qiā(🍇)n )斤地(dì )讨论了人生(🌰)、政治(〽)、历(🍡)史等话题；通过(guò )单场(chǎ(🚀)ng )景多(🤢)(duō )幕剧(🦊)(jù )的结(jié )构让(ràng )人(🛎)感(gǎ(📼)n )受到(dà(🍀)o )老人(rén )们的(de )孤独(dú(🎟) )，以(yǐ )及疾(jí(🏥) )病带来的苦涩，同时(👿)映射出(👳)黎巴(🍊)嫩暴力事件肆虐的(🔲)现状。以(😻)小见(🦀)大，令人(🌛)回味。
ユミは夫と娘(🌔)の３(🎥)人暮ら(🚳)し。近々引っ越しを(♿)考えている(📒)。ユミは娘のレイナ(⏪)が時折(shé )う(⏹)わ言を発すること(♍)が、少(😡)々気(🏘)にかかっていた。転居の報(😶)告(gà(👔)o )も兼(jiā(🙍)n )ねて友人(rén )ヒロミ(🎟)と久(🔋)々に再(🌄)(zài )会するユミ。話題(🥝)(tí )はいつし(♟)か「あの日」のこ(🏟)とに。「(🌑)私た(🧘)ちが埋めた時、本(⏺)当に死(🎥)んで(🔇)たのか(🚸)な？」。ユミは「あ(🎲)の日(🧥)」のこ(🦃)とを清算すべく、(🕥)サエ、アコ(🍀)にも再(zài )会を決意(🧛)(yì )し、廃墟(💪)(xū )のような家に一(💷)人(rén )で(🦐)住(zhù(🚋) )むサエに会いに行く。サエ(🏧)は、(🎊)見知ら(📴)ぬ少(shǎo )女が現れて(🎋)娘(niá(🌰)ng )だと言(🏙)って聞(wén )かず、し(🚡)ばらく一(yī(🏿) )緒に暮らしていた(🙀)が死ん(✉)だこ(🈳)と、そして少女は(🏣)死んだ(🙈)まま(🤔)その家(🍍)の３階に寝かされ(🏇)てい(🎵)るとい(🎈)うことを話し出す(👄)。(C)「黄泉がえ(🤣)る少女」製作委員(👈)(yuán )会
一(✒)(yī )名(🔻)男(nán )子不(bú )滿一(yī(🕰) )樁冤(yuā(🍘)n )獄案(🌛)(àn )件的(de )發生(shēng )，私(sī )自綁(bǎ(🉐)ng )架審(🔤)(shěn )判該(⛩)案的法官，將其囚禁(🤩)於地下室(shì(🏇) )，並(bìng )錄影(yǐng )開直(zhí(🐱) )播，公開(kāi )質(💉)疑(yí )其判(pàn )決有(yǒ(♈)u )誤，要求(👜)(qiú )社(📍)會(huì )大眾(zhòng )對其進行公審(🔪)並投(🚫)票，然而(🍃)最終的結果，會因此(🧙)撼動(🎅)程序正(🥝)義嗎？
《特种保镖2》以(👡)丛林中无人(🕠)区的兵工厂为故事(♌)展开的(🚻)据点(💆)，讲述了佣兵小队(duì(🤵) )因任(rè(🤜)n )务要(🏈)(yào )求前(qián )往荒(huāng )无人(rén )烟(❗)、危(🧥)险(xiǎn )重(🚔)重(chóng )的工(gōng )厂，竟遭(🔒)遇刀枪不入(🦒)的“不死军队”的包围(🍟)(wéi )，全(quán )员陷(♿)(xiàn )入危(wēi )机仍(réng )浴(🏭)血(xuè )奋(❄)战(zhà(⛹)n )的故(gù )事...
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
東(dōng )京國(guó )際同(⌚)(tóng )志(👌)影(yǐng )展(🐈)參(cān )展作品
20世纪福(🤭)克斯(🖇)最近买(🕝)下了Alma Katsu下部小说《饥饿(🚂)》（The Hunger）的电影(📿)版权，这部小说以《行(😐)尸走肉(🔑)》的风(🐄)格叙述了北美历史(😳)上最恐(👦)怖的(🎇)一段“食人”历(lì )史。
详情
