青(⚾)釬治(💭)乱，
青(⚾)釬治(💭)乱，倚(🐥)天定(⛔)国，长(🍺)久以(🗄)来(lái )，历代皇帝都以为只要得到青釬和(hé )倚(yǐ )天(tiān )两(liǎ(🌏)ng )柄神(🖨)剑就(🦏)可夺(🍗)得天(🏽)下，但(🔮)却无(🚩)一能(🐩)识破两把(bǎ )宝(bǎo )剑(jiàn )的(de )秘(mì )密(mì )。
関西ジャニーズJr.のメンバーが(⏬)主演(🍗)し、(🈯)売(mà(🐠)i )れな(🚙)い漫(🈶)才コンビがライバルと競(jìng )い合(hé )い、成長していく姿を描い(😶)た青(🔏)春ド(😑)ラマ(🐢)。幼(yò(⛏)u )なじ(🌗)みで(🛄)お笑(💨)(xiào )い(🌶)好き(🐤)の高(🌴)浜優(🤚)輔と稲毛潤は、高校卒業後(hòu )にお笑い養成所に入所(🚢)し、(🥗)漫才(😅)コン(📥)ビ「(🥄)エン(🍓)ドレ(😔)ス」(🐔)を結成する。新人芸人の登竜(néng )門(mén )であるコンテストでも優勝(🈺)し、(🤟)テレ(♉)ビ局(😪)から(🎈)も声(🦊)がかかり、エンドレスは順風満帆かに思(sī )われた。しかし、売(🏿)れる(♒)こと(🏗)が第(🍫)一と(🥛)考え(🏏)る高(🚅)(gāo )浜(⏩)(bāng )と(🥡)純(chú(💺)n )粋(cuì(😸) )にお(🙃)笑いが好きな稲毛、2人の間に気持ちのすれ違いが生(🧙)じる(⏬)。そん(🕕)な中(🗡)、同(💌)(tóng )期(🥦)(qī )で(🚘)ライ(📎)バル的存在だった「ピンクらくだ」が突然(rán )ブレイクし、エ(🎶)ンド(🕌)レス(🐕)の人(🙁)気下(🕺)降に高浜はいらつき出(chū )し、高浜のお荷物になってるのではと悩(🙂)む稲(🔊)毛の(🎈)脳裏(🤖)に、(☕)コン(🔦)ビ解(🎧)散の(😜)文字(🚥)が浮(💲)(fú )か(😢)び始(🌚)(shǐ )める。監督はドラマ「釣りバカ日誌」などを手がけ(🎇)た石(🏌)川勝(🖱)己。
The Story of longtime UFC Featherweight champion and the struggles facing him on the road to the top.
青(🍍)龙集(🛶)团董(🍰)事长(😈)(zhǎng )过(✔)(guò )世(shì )后(hòu )，给青龙集团太子爷留下了镇帮之宝：一支可(kě )以(yǐ(🐨) )号(hà(🏈)o )令(lì(🦒)ng )整(zhě(📟)ng )个(gè(🔥) )青龙集团所有人的大哥大手提电话。一日，太(tài )子爷独自去按摩院按摩(🗻)，青龙(🕔)公(gō(🗿)ng )司(sī(🍲) )一(yī(🥞) )群(qú(😉)n )起了(⛹)异心(➰)的小(🐼)人得(💺)到消(💴)息后(🔊)，来到按摩院准(zhǔn )备(bèi )劫(jié )持(chí )太(tài )子(zǐ )爷，夺走可以号(🧀)令青(🍌)龙公(👴)司上(😸)下的(😻)大哥(📘)大，欲(🐩)(yù )控(👂)(kòng )制整个青龙集团。哪知阴差阳(yáng )错(cuò )将(jiāng )身(shēn )怀太极推拿绝技(🔄)、胸(🧒)有大(⛹)志，却(💼)因低(👬)微的工作(zuò )被(bèi )周(zhōu )遭(zāo )人(rén )嫌(xián )弃的按摩师阿宝当成了太子爷并(💼)将其(🆘)绑架(😞)。阿(ā(🐆) )宝乘(💼)乱逃(🎧)出后(🧀)，去找(👸)女朋(🐗)友阿(🤛)朵(duǒ(🥏) )，不(bú )料(liào )阿朵父亲因欠人钱，被白虎帮挟持，阿宝答(dá )应(yīng )三(🎚)(sān )天(💗)(tiān )内(🚬)(nèi )替(💕)(tì )阿(📙)朵救(🐈)出父(🎗)亲。阿宝、阿朵以及真正的太子爷(yé )策(cè )划了一场一箭双雕的好戏，却(🎄)(què )上(👭)(shàng )演(🔝)(yǎn )了(🌷)(le )一场(📉)又一场啼笑皆非的“闹剧”，一边是青龙(lóng )集(jí )团(tuán )错(cuò )认(rèn )阿(ā )宝为太(🎋)子爷(🦇)，一边(🏐)是阿(🚉)宝错(💸)认为(📛)这是(🌠)未来(🕡)老(lǎ(💊)o )丈(zhà(🚗)ng )人的(🏡)考题，将青龙集团上下骗得(dé )团(tuán )团(tuán )转(zhuǎn )。阿宝和阿朵从合(🔎)作布(🍛)局，到(🔰)产生(🌄)误会(🥨)，到(dà(🐑)o )合(hé(♊) )力(lì )救(jiù )出(chū )阿(ā )朵的父亲，磨难重重，考验不断。剧情跌宕起(qǐ )伏、搞(✅)笑逗(✌)逼，按(😱)摩师(🥟)阿宝(♿)更是(shì )成(chéng )为(wéi )了(le )承载底层小人物英雄情怀以及忠贞爱情的一代(dà(🥍)i )了(le )不(🦖)(bú )起(⛎)(qǐ )的(🏟)(de )“按摩(⛓)侠”！
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In order to discover the truth about his brother's disappearance, a young man returns to his hometown to find answers.
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
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