A collection of horror stories involving cannibals, zombies “and other funny creatures”.
《驴为(📋)媒》故(gù )事发(fā )生(💞)在(☕)(zài )当下鲁西大地上(📱)的聊(liáo )城市(shì )，讲(🛫)(jiǎng )述的是在京打(🚈)拼(🏇)多年(nián )的有志青年(🥃)，得(👢)知老(lǎo )家惠(huì )民(🏒)政(zhèng )策后，回乡(🚼)养(👖)驴、带(dài )领村(cūn )民(🅾)脱(🌑)贫致富，实(shí )现自(👵)己创(chuàng )业梦，并赢(👌)得爱情的(de )故事(shì(🤤) );讲(🐉)述(🌍)了党的精准(zhǔn )扶(✍)贫政策(cè )和乡村(✡)振兴战略在齐(qí(😵) )鲁(🏂)大(🖌)(dà )地的生动实践(🔏)，展现(xiàn )了基(jī )层(🤘)党员干部在全面(🥊)建(🖇)(jiàn )成小(xiǎo )康社会进(🏎)程中的(de )“主(zhǔ )心骨(🍫)(gǔ )”形象。电影《驴为(🐥)(wé(🐏)i )媒》坚持(chí )“小成本、(🏷)大(🚅)情怀、正能量”的(😒)创作宗旨(zhǐ )，紧(🥜)(jǐ(💇)n )扣当(dāng )前乡村振兴(🌲)和(🗜)精准扶(fú )贫主(zhǔ(❎) )题，将社会效益(🕔)(yì(🥁) )、价值引(yǐn )领放(🤞)在(💖)首(🌃)位，引导人(rén )们努(🥖)(nǔ )力实现个人前(⛱)途(tú )与国家命(mì(🍰)ng )运(🔰)、(🚃)个体经历与时代(🏳)(dài )大潮(cháo )、个体(🔪)情感与国(guó )家情(🧒)(qí(🛠)ng )感的(de )同频共振，激励(🎶)人们(men )向上(shàng )向善(🥦)，自觉践行(háng )社会(🔳)(huì(➖) )主义(yì )核心价值观(💍)，讴(🎅)歌党(dǎng )、讴(ōu )歌(🦌)人(rén )民、讴歌(👭)新(㊙)时代。
４K/8Kの高解像度(🔳)に(🥥)よる大(dà )型映(yì(🕜)ng )像をはじめ、(🚂)CMや(⚪)PV、テレビ番組(zǔ(👮) )、(♈)さ(🚳)らにはwebクリエイ(🛅)ティヴ・デザイ(🍣)ンやグラフィッ(🗄)ク(🚋)方(🕥)面でも活(huó )躍す(💵)るIMAGICAイメージワー(🔣)クスと、『ALWAYS三(sā(🍔)n )丁(🎍)目の夕日』シリー(🔲)ズや『永遠の０(📂)』などの大ヒッ(🕘)ト(🥋)作で知られる映(yì(⛳)ng )像制(zhì )作集団ROBOTがタ(🚁)ッグを組(zǔ )ん(⬜)で(🗯)、子(zǐ )どものころ(🐂)に(🐖)見た夢(mèng )を失い(👴)ながら大人に(🐢)な(🚸)り、多(duō )忙を極め(🧐)て(🔢)久しい現(xiàn )代人(👴)(rén )の心に、かつ(🎿)てのあの“想い”を(😳)蘇(👱)ら(🙋)せるSFファンタジ(🧝)ー！
Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’ and ‘Homewrecked’(🛥) – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
威尼斯國際電(🌱)影(🔈)節參(cān )展作(zuò )品
深(🛣)圳记者周安(ān )娜(⛸)追(zhuī )随爱(ài )情来(📫)到(🚫)新疆，投身“一带(dài )一(🔲)路”事业中，她的(de )未婚(hūn )夫李明旭作(📊)为(🍟)国企油(yóu )田高(gāo )管(🕟)固(👛)(gù )守旧观念，瞧不(😻)起提(tí )供外包(🦑)服(🚬)务的民营企(qǐ )业家(📫)杜(🙇)亚(yà )新，与周安娜(🎦)产生分(fèn )歧。而卷(🎹)入这场纷争(zhēng )的(🤭)周(✝)安(🎦)娜(nà )最后发现自(🏛)己的爱情(qíng )也陷(🏺)(xiàn )入两难选择。
Paraí(🤔)so Perdido é(⛽) um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentações musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a segurança do jovem talento Ímã (Jaloo), neto de José(🤢) e alvo frequente de homofóbicos, e aos poucos o laço entre o agente e o clã de artistas românticos vai se revelando mais e mais forte - com nós surpreendentes.
Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
