迈(💲)克尔(ěr )·B
迈(💲)克尔(ěr )·B·乔(qiáo )丹(🔖)将(🏖)主演动(dòng )作惊悚片(💡)[Men Who Kill]，这(📟)是20世(shì )纪福斯为他(🆔)(tā(⌛) )量身打(dǎ )造的作品(🧚)。
Armin深(🎞)感已不再(zài )年轻：(🎪)他(🐟)不能再像(xiàng )自己(🔰)喜(👬)欢的女孩那(nà )样在(🥓)外(🍲)玩乐(lè )到深夜(yè )。他(🏧)并(👖)不觉(jiào )得幸福，但(dàn )又(🕣)无法(fǎ )想象其他的(de )生(🎏)活方式。一天早(🔝)(zǎo )晨他(🍶)醒来后(hòu )，发现(🔢)(xiàn )世界(🤓)依然未(wèi )变，却(🧝)不再(zài )有一丝(sī )生命(🍆)的痕迹(jì )。这部影片展(🏴)示(🍖)了(le )绝对自由所(suǒ )带(😛)来(🆎)的(de )灾难。
跳出(chū )《比海(✉)還(🍝)深》（2016）的助導身位(🦍)(wè(🎹)i )，廣瀨(lài )奈奈子繼承(🍁)(ché(👊)ng )恩師是枝裕(yù )和(🐕)一(🏇)貫(🔄)(guàn )家庭缺失主(zhǔ(🔞) )題(🚒)，以圓熟的敘事(shì )技(🤯)巧(😟)，剖開(kāi )父子關(guān )係的(⏮)思考空(kōng )間。憑《誰(shuí )知(🌰)赤子(zǐ )心》（2004）(💏)成(chéng )為(🏓)史上最年輕康(🎍)城(chéng )影(🈷)帝的柳樂(lè )優(🚬)彌，經歷過高山(shān )低谷(📩)，在死亡邊緣(yuán )走了一(📒)回(🤼)，與這個落泊孤絕角(🌎)(jiǎ(😢)o )色感同身受(shòu )。自殺(😃)(shā(🌓) )不遂被中年(nián )鰥夫(🌛)收(🌷)留，獲編的(de )名字竟與(📠)他(🖲)(tā )的亡兒(ér )相同(🐶)。亦(💲)父(🌘)(fù )亦子的微妙(mià(👱)o )關(🕦)係，卻被兩人過(guò )去(🦍)的(🌷)秘密動搖。兩(liǎng )個「缺(🚏)」的(de )人生，能否合成一(👗)(yī )個「圓」？(🐴)
斯科特(🏅)(tè )·阿金斯继(⏹)(jì )《失忆(👍)格斗士》《野蛮狗(😐)》《三重威(wēi )胁》和《意(yì )外(🚧)杀手》之后第五(wǔ )次与(🕴)导(🥂)演杰(jié )西·约翰逊(🛑)合(🈂)作的(de )犯罪动作片(pià(😆)n )。
讲(🎀)述(shù )漫画家Edgar在离(lí(🐎) )婚(🍱)后搬回家与父母(mǔ(🎋) )同(🎥)住，在他(tā )哥哥以(🌽)(yǐ(😃) )前(🍄)的房间里(lǐ )发现(🔺)了(🐹)一个(gè )魔偶，他于是(🕸)动(⤴)心(xīn )想去纪念Toulon谋杀3 0周(🐫)年(nián )的集会上卖(mài )掉(📪)它。当他和新女(🖱)(nǚ )友Ashley一(🏯)起到达(dá )后，发(🗯)(fā )现并(🐪)不是只(zhī )有他(🔍)们想卖掉木偶(ǒu )，所有(🎠)的木(mù )偶都活(huó )了过(🚕)来(⛰)，步(bù )步紧逼，向那些(🌝)少(🚃)(shǎo )数名族下手(shǒu )。 虽(🎭)然(🙂)属于魔偶系(xì )列，这(🔬)部(🆚)至(zhì )小帝国(guó )却和(👦)1968年(🙇)的《活死人之夜》很类(😄)(lè(🗺)i )似，在室内(nèi )如一(🥓)家(🖇)(jiā )小旅馆里展(zhǎn )开(📛)情(🤟)节，游(yóu )客和住(zhù )户必(🈂)须群起(qǐ )而攻之。Edgar的独(🚺)白告(gào )诉观众(🔏)，为(wéi )什(🥥)么Toulon要(yào )设计这(⏰)些木(mù(Ⓜ) )偶，他们很(hěn )小(🔗)，却(què )极易在最不(bú )可(😛)能的情况下击垮(kuǎ )你(🕟)。
A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
An overworked dad, missing out on his kids growing, takes an opportunity to start a "family business" thinking it will draw his family closer together - That is just mistake number one.
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