2017戛(🥗)纳影展导&
2017戛(🥗)纳影展导演双周单元(🌡)闭幕片。美国导演吉瑞(🌶)米(🦋)杰(jié )斯(sī )伯编导(dǎ(♟)o )作(🎶)(zuò )品(pǐn )，丹妮尔麦唐(💭)诺(🔐)主(🔤)演。故事描述一个乡镇(📯)女孩，追寻饶(ráo )舌(shé )美(😈)(mě(😖)i )国梦的(de )故(gù )事(shì )。
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
《杀(🆙)手(⛲)卡利》是一部拍摄于(📌)2016年(👳)的小成本犯罪题材电(🍮)影(💊)(yǐng )，由(yóu )《美国(guó )重(chóng )案(☔)(à(🐾)n )》的理查德·卡布莱(🍛)与(🤙)《火线警探》的瑞恩·(🚠)多(🛀)西联合(hé )主(zhǔ )演。
《赏(shǎ(🙅)ng )金(⏯)(jīn )恋(liàn )人》是一部青春(👽)、爱情、时尚喜剧，讲(🔭)述(🐶)了富二代千金(jīn )女(🐱)(nǚ(💹) )与拜金(jīn )渣(zhā )男(ná(🗄)n )、(❓)潦(✒)倒清高的画家三人间(〰)的爆笑爱情故事。由方(🕕)语(🌊)昕饰(shì )演(yǎn )的(de )的富(👴)二(🏧)(èr )代(dài )苏(sū )珊(shān )，因(♓)为(🎻)父亲反对恋情而负气(🏔)离(💩)家出走，老爸苏锦宏为(♑)(wé(🚼)i )寻(xún )找(zhǎo )爱女不(bú(⛔) )惜(❓)(xī )重(chóng )心(xīn )赏金百(⛏)万(🈷)，巨大的诱惑下，暴露出(🏧)人(👒)性的贪婪和欲望(wàng )，一(👎)场全城(chéng )奔(bēn )爱(ài )大(🦑)逃(🀄)亡的爱情喜剧就此(🧠)展(🆔)开。在一系列的全城(🛏)追(🚗)击、赏(shǎng )金(jīn )闹剧中(zhō(📔)ng )，方(fāng )语(yǔ )昕饰演的千(📕)金(💶)苏珊终于找到了人(🍘)生(🌞)的归属，和黄腾浩(hà(🥚)o )饰(🏼)(shì )演(yǎn )的画家(jiā )刘(liú(🏍) )子(🔳)(zǐ )铭(míng )上演了出公主(🦄)爱(🎾)上青蛙王子的完美(🐭)爱(🔢)情。
英国知名舞(wǔ )台(😛)(tá(🍯)i )剧(jù )《鬼故(gù )事(shì )》将(🏫)(jiā(🕉)ng )被(💤)搬上大银幕，新片主演(⏪)马丁·弗瑞曼、乔治(🚶)·(🕢)麦凯(kǎi )、安迪·尼(⛏)(ní(📠) )曼(màn )等(děng )。尼曼继续(🐔)出(🎒)演他在剧中的角色古德(🤐)曼教授。古德曼是(shì )一(🏂)(yī(🚲) )位心理治(zhì )疗(liáo )师(🉑)(shī(🛴) )，从不相信鬼怪之说(🎫)；(㊗)然而三个病人的“见鬼(🏐)实(⚪)录”让(ràng )他(tā )对原有(yǒ(🏀)u )信(🔳)(xìn )念(niàn )产(chǎn )生了怀(🗓)疑(🚴)。作为最受欢迎的惊(📗)悚(🐦)戏剧之一，该剧曾在(🤹)(zà(⚓)i )全(🥝)(quán )球(qiú )多地进(jìn )行(há(🏠)ng )巡(xún )演(yǎn )。
千百年来，地(🍀)球(🏢)上一直住着一种外(👸)星(👡)生物，名叫喵(miāo )星(xī(💋)ng )人(🥋)。它们(men )从(cóng )遥(yáo )远(yuǎn )的喵(🖊)星来到地球，化身为猫(🚩)科(🍄)动物，分散在世界每(🔓)个(🐗)(gè )角(jiǎo )落。萌萌(méng )的(😬)(de )外(🎙)(wài )表，加上机智聪明的(🐷)头(😗)脑，轻易就得到人类的(🏛)宠爱。不(bú )愁(chóu )吃喝的(🐴)(de )它(😿)(tā )们(men )桀(jié )骜不驯，活(🍹)像(🥄)饱经沧桑的江湖大(🕘)佬(⏪)。犀(🔗)犀利就是他们(men )中(zhōng )的(🏏)(de )一员，作(zuò )为(wéi )一(yī )名(🐬)正(🌍)牌的喵星来客，它肩(📏)负(🕧)使命长途跋涉来到(👒)地(🕠)球，却(què )意外遇到(dào )了(le )吴(📋)(wú )守(shǒu )龙（古天乐饰(🕛)演(✊)）一家，上演了一幕(🌇)相(💢)运相生，喵趣(qù )横(hé(👷)ng )生(🎈)的人猫(māo )奇(qí )遇(yù )记(🉐)。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.
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