《印度之夏》根据(jù
《印度之夏》根据(jù )英国女作家阿丽(lì )克斯·冯·藤泽尔曼（Alex von Tunzelmann）的(🛶)同名小说(🔮)(shuō )改编，描写的是(shì )印度独立、印（度）巴（基斯坦(tǎn )）分治前后数十(shí )年中印度和国(🧚)际(jì )上的(👕)风云变幻。书中不乏人们熟悉的著名历史人物，如甘地、丘吉尔(ěr )、尼赫鲁和英国(guó )最后(🏤)一任印度(📫)总(zǒng )督蒙巴顿将军等(děng )。
在失去家人之(zhī )后，一名年轻女(nǚ )子在一个长期被(bèi )疾病摧毁的(🐍)世界中挣(📤)扎求生; 但是当一(yī )个孤独的旅行者(zhě )在她的社区中为(wéi )她提供一席之地(dì )时，她必须决(😈)定(dìng )一个(⛓)更美好生活(huó )的承诺是否值得(dé )信任他的风险。
When Chelsea and her friends get in trouble with the cops, they flee the city and go on the run. Fueled by a hallucinogenic drug called Echo, they hope to lay low-and get high-in an old family hideout in the woods.However, Chelsea has reservations about going back to nature and secrets she’s not sharing with her friends. When a shot rings out, her past comes crashing back, and the punks find themselves pitted against the local authority- an unhinged park ranger with a real axe to grind…
MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.
1878年（明治11年）。在明治维新之后(hòu )，为(👢)了处理日(㊗)本(běn )国内的士族叛乱(luàn )这类犯罪者，将(jiāng )他们大部分都送(sòng )到了监狱里，但(dàn )是逃狱事件(📒)时有发生(📷)。于是政府就在滋贺县的琵琶湖(hú )里浮着的巨树中(zhōng )建造了绝对不可(kě )能逃狱的监狱「(🛶)狱门处」(🍈)，将重(chóng )犯全都送了进去(qù )。而负责最后阶(jiē )段护送的「渡桥者」一职则是由湖边「昙神(⬜)社」的「(🏡)昙之三兄弟」担(dān )任。福士饰演昙(tán )家的长男——昙(tán )天火。
The Luring is a psychological thriller about a man, Garrett, who tries to recover a lost memory that took place during his tenth birthday at his family's vacation home in Vermont. Unbeknownst to him, something unspeakable happened and as a result Garrett was found in a non-responsive state by his parents, which subsequently resulted in an extended stay in an institution. Psychiatrists call it dissociative amnesia - a loss of memory due to a traumatic event - but Garrett will soon learn some memories are best kept forgotten.
ミュージカル学科生にひと(🏥)時の平穏(📷)が訪れる秋の終わり――10月31日。
艾莉丝是(shì )个态度轻浮、行(háng )事鲁莽的红发少(shǎo )女，和妈(🔶)妈当初(chū(🍿) )领养她时的可爱(ài )形象大相径庭。正值叛逆期的艾(ài )莉丝完全是个麻烦制造机，一次又一(🍝)次的脱序(🥦)行为让(ràng )妈妈对她非常头(tóu )痛和失望。笼罩(zhào )在这样的阴影之(zhī )下，艾莉丝也承(chéng )受了巨(🕯)大的压力(🍑)(lì )，导致她不断说谎成性，谎言编织的世界与现实的界(jiè )线逐渐模糊，直(zhí )到妈妈发现她怀(🎚)(huái )孕了，事(📖)情才开(kāi )始有了变化…
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