都说男人一有钱就变坏
都说男人一有钱就变坏，女人(🔊)一(🐄)变坏(huài )就(jiù(🕴) )有(💎)(yǒu )钱(qián )，这(zhè )句(jù(🏩) )话(😔)(huà )用(yòng )在(zài )张(🐈)(zhā(🔞)ng )宝(bǎo )文和他的秘书身上绝对合适(😮)。张(🙉)宝文原本有一(🚅)个非常好的前(qiá(🚝)n )程(🚣)(ché(📪)ng )和(hé )家(jiā )庭(🔈)(tí(🖊)ng )，但(dàn )是(shì )他(tā )却(què )不(bú )珍(zhēn )惜，与(🌸)自(👑)己的秘书走到了(🥠)一起。这一段办公(👔)室(🆚)的恋情导致(💙)了(〰)(le )张宝文在事业上(🎊)和家庭上彻底破(🔅)碎(👗)。秘书的贪婪最终(zhōng )落到过街老鼠(😎)人(🛏)人喊打的地(🆔)步(🤔)。当张宝文重新回(🚶)归(💠)家庭的时(shí )候(💲)(hò(🍁)u )，一(yī )个(gè )熟(shú )悉(xī )的(de )面(miàn )孔(kǒng )站(🦉)(zhà(🐽)n )在(zài )了门口挡(🥣)住了他的视线。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
巴(🌚)勒(🎷)斯(🚶)坦電視台攝(😴)製(🎇)臥底肥皂劇，連(lián )以(yǐ )色(sè )列(liè )婦(🎫)(fù(🗒) )孺(rú )都(dōu )晚(wǎn )晚(🍀)(wǎn )追(zhuī )看(kàn )。編劇(👏)因(🐾)情節背離革(🍙)命(🍵)而辭職，監製的多(😔)口侄仔助理受命(🐗)執(😀)(zhí )筆，頻頻借女角之口，向電視機前(🌓)的(👁)舊愛示好，以(🙆)色(💰)列檢查站軍官則(🍛)企(🕝)圖恃權影響劇(🐓)情(😀)發展，以便在追看的嬌妻(qī )面(miàn )前(🤙)(qiá(🤙)n )自(zì )吹(chuī )自(zì(🌥) )擂(lèi )。助(zhù )理(lǐ )即(😥)(jí(🥥) )使(💎)(shǐ )槍抵腦殼(🔗)，都(💌)不肯接受軍官要求的大團圓結局(⛺)。抗(🥕)爭，必須(xū )繼(jì )續(🛣)(xù )！影(yǐng )展(zhǎn )新(xī(🗼)n )秀(🥣)(xiù )蘇(sū )亞(yà(👅) )比(🕐)(bǐ )巧(qiǎo )妙調侃以(🌌)巴關係，他的喜劇(😴)座(🚞)右銘是：要能大笑，必須面對(duì )苦(🚸)(kǔ(🚤) )痛，並與之周(😵)旋(🚣)。獲威尼斯地平線(🎡)單(🧥)元最佳男主角(🤦)獎(🆙)。
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
少年莊崇斌無法忍受同學的欺凌(♿)，決(😥)定跳樓結束受(🍸)欺(🦂)凌(líng )的(de )生(shēng )活(huó(🕣) )，警(🏙)(jǐng )察(chá )趙(zhà(🔎)o )順(🎨)(shùn )昌(chāng )及(jí )時(shí )出現，給了少年鼓(🥩)勵(🍴)和勇氣。
After being double-crossed by Hondo on her own ship, Maz tells some stories.
彭恒从被(🍔)左强打了药水右(👼)手(🏕)力(lì )量(liàng )特(😫)(tè(🏅) )别(bié )的(de )强(qiáng )大(dà(📇) )，生(shēng )活(huó )过(guò )的(🦉)(de )一(⭕)团糟的彭恒好不容易遇上一个让(♟)自(🕤)己心动的女(📫)同(📻)事何慧，想(xiǎng )方设(☝)法(🏆)的想要接近何(💒)慧(🚳)，机缘巧合的买到了一套VR设备，能够(🏋)让(📥)他进入到虚拟的(🤧)世界里和自己心(❄)爱(😫)的何慧恋爱(💕)，为(📬)(wéi )此(cǐ )过(guò )的(de )很(hěn )幸(xìng )福(fú )。但(dà(🏒)n )残(👠)(cán )酷(kù )的现实世界他一直是单相(🙃)思(♒)的一只单身(🤕)狗(🎭)，同事何慧早已有(😻)男(nán )朋(péng )友(yǒu )更(🏒)(gè(🕠)ng )是(shì )对(duì )他(tā )很(hěn )冷(lěng )漠(mò )。痴情(🥄)的(🏒)彭恒经过了解(🏴)得知她的男朋友(👬)其(👹)实就是个出了(⏳)名(🌃)的花花(huā )公子，为了不让何慧受伤(🎙)，把(🔎)自己对左铭炫的(🦊)了解一五一十的(🎣)告(👱)诉何慧，并把(🎽)自(🔖)己拍到的照片给何慧看，但何慧(huì(🉑) )似(🔰)(sì )乎(hū )对(duì )这(zhè )一(yī )切(qiē )好(hǎo )像(🚆)(xià(❕)ng )并(bìng )不(bú )在(🤢)乎(🐻)。被左铭炫逼迫加(🚴)入了左铭炫的抢(🈶)金(🙏)活动中，彭恒不顾自(zì )己(jǐ )的(de )生(shē(💮)ng )命(🔓)(mìng )安(ān )慰(wèi )救(🌐)(jiù )出(chū )何(hé )慧(huì(🥄) )，感(🙈)动了她，让左铭(🏬)炫(🌔)一帮人绳之于法
清末民初军阀四(🕶)起(🌭)战火(huǒ )绵绵，老百(🚡)姓深陷水深火热(🗾)之(❎)中，很多人妻(🔗)离(🚈)子散，家破人亡。然而有一座偏远的(🐬)小(🍑)山镇，却独享着这一片安宁(níng )。但(dà(🙍)n )好(👺)(hǎo )景(jǐng )不(bú(♐) )长(🎠)(zhǎng )，镇(zhèn )上(shàng )突(tū(🤰) )然发生了一些离(💖)奇(🎵)命案，死去的都是村里的青年壮汉(👍)，闹(🤭)的人(rén )心(xīn )惶(📩)(huáng )惶(huáng )。一(yī )向(xià(🈚)ng )夜(🆚)(yè )不(bú )闭(bì )户(🐫)(hù(🍂) )的他们天还没黑就关门上锁，不再(💋)外(🐱)出。但这并非长久(🍻)之计，镇长为此召(😱)集(🐲)百姓，筹集钱(👰)财(🐡)招揽能人异士，希望能找出根源，除(🏬)去(🐟)祸患。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
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