该(🤚)片是《海(hǎ
该(🤚)片是《海(hǎi )蒂和(🙇)爷(yé )爷》导演(☝)阿(🍸)(ā )兰•葛(🍸)斯彭(péng )纳最新(📧)(xīn )力作，一部(bù(🤩) )德国版(bǎ(⌛)n )的“饥饿游(yóu )戏(🛳)”！未来社会阶(jiē(🎾) )级分明，制(💛)(zhì(🏣) )度将菁(jīng )英(💗)与弱者划(huá )分(♒)开来，前(qián )者(🈶)享有(yǒu )富足(👙)的生活与保护(🚆)，后(hòu )者则被(🆔)(bèi )遣送到拥(🙊)挤(jǐ )脏乱的底(🚀)层地区。为了(🛵)获得优(yōu )渥(🍤)的资(zī )源，各(👗)类竞(jìng )争无所(➿)不在。札克(kè(😁) )与娜迪获选(👚)(xuǎn )参加顶(dǐng )尖(🐖)大学保送资(🐆)格(🐮)的体能(né(🕋)ng )训练营(yíng )，他们(♿)除了(le )要合作完(🏐)成(chéng )各项(🐸)任(rèn )务，还得在(👧)(zài )个人表(biǎo )现(⏳)上拔得头(🏍)(tó(🆙)u )筹。相较遵守(⛱)游戏(xì )规则的(📣)娜迪(dí )，向 往(👶)(wǎng )自由的札(💜)克(kè )开始质疑(🎼)制(zhì )度，两(liǎ(⬆)ng )人的摩擦逐(📩)渐升高：一(yī(👮) )本失踪(zōng )日(🥁)记、一起(qǐ(😝) )意外命(mìng )案(😷)，不仅改(gǎi )变他(🐤)们的命(mìng )运(👇)，也(yě )揭开扭(🌹)曲体(tǐ )制下的(😔)私欲与谎言(🛁)(yá(🍋)n )。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
本片来自(🔭)(zì )新片场(chǎng )创(🐀)作人吴晋超，他(🏼)担任(rèn )这(🔕)部影(yǐng )片的导(🍟)演、编剧、美(🏨)术(shù )以及(😽)剪(🔀)(jiǎn )辑。出品方(🚮)(fāng )为BITONE。
本(běn )片讲(🤼)述的是(shì )一(🦉)群年轻人在(🔽)生活(huó )、社会(🕟)、情(qíng )感的(🎥)重(chóng )压之下(🌡)，仍(réng )旧义无反(🆕)顾(gù )的追求(💴)(qiú )自己音乐(🉑)梦想的故事(⌚)。
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
因流感(🐯)感染(rǎn )的死(📇)者(zhě )突然复(⛔)活，变成丧尸开(🆒)(kāi )始疯狂(kuá(🈳)ng )撕(🕓)咬活人，被(💽)咬后的活人纷(🚘)纷(fēn )变成丧尸(👺)，一场末(mò(🎫) )日丧尸之战自(🛢)此开始...
宇(yǔ )宙(😿)犯罪(zuì )者(🕳)ベ(🐿)ムルとその(👳)一味を追って(🥄)地球にやっ(💫)てきた宇宙(🕉)の警察(chá )と呼(🌚)ばれるスパ(👋)ンデクサー(📻)の一人スパ(🤴)ンデクサーＡ(🥍)は、ベムル(💫)たちに襲わ(🙆)れていた地球(🏳)(qiú )の捜査(chá(🎇) )官・目白を(🌮)助けるが、そ(📫)のためにベ(✌)ム(🗿)ルたちを(🍃)逃がしてしま(🦋)う。目白の協力(📎)(lì )のもと(❗)、地(dì )球に残(🏺)(cán )ってベムル(🔴)を倒そう(🦁)と(🎺)するスパン(📷)デクサーＡの(⏬)前に、宇宙(🕉)(zhòu )の犯罪者(👁)たちがスパン(⚾)デクサーた(🔑)ちを倒すた(⏱)めに作った(🈶)人(rén )工生命(mì(🅿)ng )体ゾーラが(🧔)現れる。スパ(♒)ンデクサーの(🐎)弱点の物質(♈)で作られた(🍥)ゾーラに敗北(👳)したスパンデ(🥖)クサーＡ(🔩)は、ゾーラに(📹)拉致され壮絶(🧣)な拷問を(👆)受(shòu )ける。そし(🍕)て残虐(nuè )な性(🌬)格のゾーラ(⏩)は、目(mù )白(🏙)を捕(bǔ )らえて(🤮)、家(jiā )族に(😧)危害を加え(🚍)られたくなけ(🈴)ればスパン(👱)デクサーＡ(⏳)をその手で(🍱)殺(shā )すように(➡)命(mìng )令する(🍛)のだった。
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
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