Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.

彭(🐨)恒从被(🐛)左(🥖)强(qiáng )打了(le )药水右手(⬛)(shǒu )力量(🔇)特别的(de )强大(dà )，生活(🚪)过(🦕)(guò(🔐) )的一团糟的(de )彭恒(hé(🦓)ng )好不容(😡)易(🦐)(yì )遇上一个让(ràng )自(😈)己(jǐ )心(🚄)动的女(nǚ )同事何慧，想(⚽)方(fāng )设(🏵)法的想(xiǎng )要接近何慧(🗺)(huì(🖕) )，机(jī )缘巧合的(de )买到(🥇)了一套(💬)VR设(🎧)备(bèi )，能够让他进入(🎛)到虚拟(🎴)的(de )世界里和自己心爱(🗝)的何慧(huì )恋爱，为此过(🎗)的很幸(🔹)福(🌯)。但残(cán )酷的现实世(📸)界他一(👭)直(🎰)(zhí )是单(dān )相思的一(🍥)只单身(🚃)狗，同事(shì )何慧早已(yǐ(🕒) )有(😺)男朋友更(gèng )是对(duì(🥩) )他很冷(👸)漠(🔈)(mò )。痴情的彭(péng )恒经(🛤)(jīng )过了(🎫)解得(dé )知她的男朋(pé(💋)ng )友其(qí(📭) )实就是个(gè )出了名的(⛅)花(🥖)(huā )花公(gōng )子，为了(le )不(🦇)让何慧(🍼)受(⭕)(shòu )伤，把自己对(duì )左(🚵)铭炫的(🏗)了解一(yī )五一十的告(🍏)诉何慧，并把(bǎ )自己拍(🍌)到的照(🕶)片(📰)给何慧看(kàn )，但何慧(🐮)似乎对(🖥)这(🤺)一切好(hǎo )像并不在(🦁)乎。被左(📏)铭炫逼(bī )迫加(jiā )入了(👭)左(👽)铭炫的抢金活(huó )动(📣)中(zhōng )，彭(🍤)恒(🚟)不(bú )顾自己的生(shē(✨)ng )命安(ā(🥒)n )慰救出何(hé )慧，感动了(🔪)(le )她，让左(🃏)铭炫(xuàn )一帮人绳之(zhī(🎞) )于(💒)法(fǎ )

“我的一(yī )生中(🛣)只害怕(🖤)(pà(🥜) )一件(jiàn )事，就是(shì )有(🌚)一天，黑(🚑)(hēi )色会(huì )吞没红色(sè(🕺) )。”

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

A collection of horror stories involving cannibals, zombies “and other funny creatures”.

子どもに夢を与え、想像(🍅)力(😖)をはぐくむコンテ(🆗)ンツ作(😸)り(👇)をめざして、キャ(🚉)ラクタ(🦓)ーアニメーションを(🎡)中心(xīn )にデジタル絵(🖥)本やARと(💿)い(🚸)ったアプリなどを(🤓)通して(🗺)、(🤽)エンタメから知育(💁)まで幅(🆗)(fú )広く活動している(🏧)ス(🕖)タジオななほしが(🔸)、ジャ(💤)ン(😄)ルやメディアを問(🍒)わず、(🍀)ものづくりを手(shǒu )掛(✂)けるウサギ王(wáng )と制作。どこ(😇)の(🥪)家にもある縁起物(🥉)たちと(🤗)、(🦊)彼らが動くさまを(🎃)見た子(🔹)どもたちとの交流を(🗓)、躍動感いっぱいに(🦊)描いた(❓)ド(💬)タバタコメディ！