Varun and Bhanu, both from different worlds, face challenges in their relationship.

年輕媽媽(❗)凱(kǎ(🏽)i )西(📠)(xī )為(💌)了逃離(🕐)家暴的陰影，帶著三(sān )個(gè )小孩住進了(🚗)一幢(🖇)舊(📄)屋。原(🐸)本以(yǐ(🌗) )為(wéi )這會是破碎家庭的避風(fēng )港(gǎng )，沒(🖥)(méi )料(lià(🚦)o )到入(🐡)住之後(💸)，才是一連(lián )串(chuàn )心神(shén )不(bú )寧的開始(🥑)。

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

狂犬―(🍲)それ(🌅)は(🐫)時代(👟)(dài )を生(😌)きた一匹の男の物語(yǔ )。生涯負けなし(🍅)のス(🆘)テ(🦃)ゴロ(🤲)の帝(dì(📈) )王(wáng )・鰐淵市蔵が日本最大組織・大(🔱)(dà )和(🏿)組(🚟)に戦(😩)争を仕(🈶)掛ける!!

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

辉煌的(de )吉(jí )檀迦利家族只剩下(🦂)公主(🥅)一(⛪)个人(🌝)(rén )，当了(🥁)“女王”的她与权(quán )力至上(shàng )的(de )政客发生(🦇)矛盾，不(🥟)知道(🌛)(dào )如(rú(🎣) )何面(miàn )对(duì )以后的种种问题。还好(hǎo )先(✅)(xiān )王最(🥎)(zuì )信(❎)(xìn )任的(🌯)贴身保(🎬)镖巴瓦尼在(zài )女(nǚ )王左右(yòu )协(🏄)助她打(💺)理一(🐨)切(🌼)，慢慢(🔡)(màn )的(de )女(🈺)王与忠诚的巴瓦尼走得越来(lái )越(yuè )近(🙋)。

第四(🙂)位(🍚)飞天(🥁)小女警(🔚)

泰国边(biān )境(jìng )，1997年。

成长中父母也在日渐(💷)变(bià(💱)n )老(🚖)(lǎo )，我(🎎)们会把(😣)这样或那样的无奈(nài )当(dāng )做借口，而忽(📓)视他们(🌨)的(de )心(🥀)理或(huò(🔩) )身(shēn )体的健康状况，当问题(tí )严(yán )重时(📧)(shí )我(wǒ(😀) )们又(🚿)会悔恨(♍)自己的冷漠(mò )和(hé )粗心(xīn )，孩子和父母(😍)之间永(🦉)远存(🦂)(cú(🕙)n )在(zà(🏗)i )一种不(👜)(bú )公平，而这种不公平却(què )又(yòu )以一种(🥛)不协(👻)调(🏖)的姿(💘)势，却又(🛏)很(hěn )和(hé )谐的存在着………